Annalisa Quinn
Annalisa Quinn is a contributing writer, reporter, and literary critic for NPR. She created NPR's Book News column and covers literature and culture for NPR.
Quinn studied English and Classics at Georgetown University and holds an M.Phil in Classical Greek from the University of Cambridge, where she was a Cambridge Trust scholar.
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Jim Acosta comes across less like a reporter than a rival in his book — giving his side of the history of his interactions with the president and the legal battle to regain access to the White House.
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In Sara Collins' new novel, a former slave accused of murder recounts her life — but, as Frannie Langton herself says, no one expects a woman like her to tell her story, or for it to include joy.
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Right-wing Fox host Mark Levin conducts no interviews and offers no original research in his book; it is little more than a free gift with purchase: People are instead buying his message to the media.
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It's possible to seriously consider the left's preoccupation with public shaming, its increasingly repetitive vocabulary of resistance and privilege — and do it well. But that's not been done here.
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Author Claire Harman writes that one reason François Benjamin Courvoisier gave for why he murdered his boss Lord William Russell in 1840 was that he wanted to model himself on a book character.
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Other journalists have previously reported many of the serious claims presented in Vicky Ward's book; her own yields generally feel meager, wrapping even the smallest scoops in a fog of insinuation.
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In Sophie Mackintosh's tart, twisted fairy tale, a family hides away on a remote island to escape a world in which men may actually be toxic. But their lives are upended when three castaways wash up.
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Anna Burns' new novel — which won the Man Booker prize — follows a never-named young woman who's being harassed by a powerful paramilitary figure during Ireland's Troubles.
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The former presidential candidate's latest book is just what you might expect from this genre: His platforms are presented but not interrogated — and there is little self-reflection.
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Oyinkan Braithwaite's wry, sly debut novel follows two sisters, dowdy Korede and gorgeous Ayoola — who has a habit of killing her boyfriends. Korede cleans up her sister's messes, but for how long?